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Antonin Artaud’s Alternate Genealogies

Self-Portraits and Family Romances

By John C. Stout
Subjects Literary Criticism
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Paperback : 9780889202498, 144 pages, March 1996
Ebook (EPUB) : 9780889201453, 144 pages, November 2019
Ebook (PDF) : 9780889205918, 144 pages, January 2006

Table of contents

Table of Contents for Antonin Artaud’s Alternate Genealogies: Self-Portraits and Family Romances by John C. Scott
Preface
Acknowledgments
Introduction
Artaud’s Textual Alter Egos: Some Preliminary Facts
Family Romances: Le Moine, Héliogabale, Les Cenci
The Portrait
A Note on Theatre
Notes
One: “Mon ami, ma chimère...”: Early Prose Poems on Uccello and Abélard
Vasari’s Biographical Sketch of Uccello
Marcel Schwob’s “Paolo Uccello, peintre”
“Paul les Oiseaux, ou la place de l’amour”
“Uccello le poil”
“Héloïse et Abélard”
“Le clair Abélard”
Notes
Two: Beneath the Monk’s Cowl/Sous l’habit du moine: On Artaud’s “Copy” of M.G. Lewis’ The Monk
Notes
Three: Modernist Family Romance: The Rhetoric of Héliogabale
Repetition and Family Romance
History: The Matriarchal Era Revisited, The Historian’s Tale Revised
The Language of the Origin: Rhetoric and Structure of Héliogabale
Notes
Four: The Drama of Desire against Itself: Les Cenci
Dramas Affiliated to Les Cenci: Seneca, Ford, Van Den Leyden
Three Nineteenth-Century Versions of Les Cenci
Artaud’s Les Cenci: Desire against Itself
Notes
Five: Self-Portraits at Rodez and Ivry
The Precursor’s Gaze: Van Gogh, ou le suicidé de la société
Drawings at Rodez and Ivry
Verbal Self-Portraits: “Ci-gît” and “Aratud le Môto”
Notes
Conclusion
Notes
Bibliography
Index

Description

Most readers know Antonin Artaud as a theorist of the theatre and as a playwright, director and actor manqué. Now, John C. Stout’s highly original study installs Artaud as a writer and theorist of biography.
In Alternate Genealogies Stout analyzes two separate but interrelated preoccupations central to Artaud’s work: the self-portrait and the family romance. He shows how Artaud, in several important but relatively neglected texts, rewrites the life stories of historical and literary figures with whom he identifies (for example, Paolo Ucello, Abelard, Van Gogh and Shelley’s Francesco Cenci) in an attempt to reinvent himself through the image, or life, of another. Throughout the book Stout focusses on Artaud’s struggles to recover the sense of self that eludes him and to master the reproductive process by recreating the family in — and as — his own fantasies of it. With this research John C. Stout has added considerably to our understanding of Artaud.
His book will be much appreciated by theatre scholars, Artaud specialists, Freudians, Lacanians and both theorists and practitioners of life writing.