Table of Contents for
Ecologies of Affect: Placing Nostalgia, Desire, and Hope, edited by Tonya Davidson, Ondine Park, and Rob Shields
List of Figures
Section I: Nostalgia
1. “Not everything was good, but many things were better”: Nostalgia for East Germany and Its Politics |
2. Nostalgia and Postmemories of a Lost Place: Actualizing “My Virtual Homeland” |
3. Placing Nostalgia: The Process of Returning and Remaking Home |
4. From Disease to Desire: The Afflicted Amalgamation of Music and Nostalgia |
Section II: Desire
5. The Tourist Affect: Escape and Syncresis on the Las Vegas Strip |
6. (In)Human Desiring and Extended Agency |
7. Cityscapes of Desire: Urban Change in Post-Soviet Russia |
8. Illustrating Desires: The Idea and the Promise of the Suburb in Two Children’s Books |
Section III: Hope
9. The Virtual Places of Childhood: Hope and the Micro-Politics of Race at an Inner City Youth Centre |
10. Virtual Resurrections: Che Guevara’s Image as Place of Hope |
11. Performing Spaces of Hope: Street Puppetry and the Aesthetics of Scale |
12. The Spatial Distribution of Hope In and Beyond Fort McMurray |
13. Spectacular Enclosures of the Hope: Artificial Islands in the Gulf and the Present |
Conclusion: A Roundtable on the Affective Turn |
List of Contributors
Bonar Buffam is a Ph.D. candidate in the Department of Sociology at the University of British Columbia. His research explores the racial intersections of law, civility, and the public life of urban spaces. His current research project documents the racial publics and geographies that emerge through the circulation of texts about illicit urban economies in Vancouver and Chicago. His work also appears in Law, Text, Culture (2009) and Social Identities (forthcoming). He can be reached at firstname.lastname@example.org.
Maria-Carolina Cambre is a doctoral student in Educational Policy Studies at the University of Alberta. Her dissertation research is titled “The Politics of the Face: Manifestations of Che Guevara’s Image and Its Renderings, Progeny, and Agency.” Conceptually, this thesis has transported her to other places such as the disciplinary interstices between art, sociology, and anthropology and methodologically to the Shangri-La between phenomenology, semiotics, and arts-based research. Virtually, she can be found here: http://www.ualberta.ca/~mcambre/.
Tonya K. Davidson is a Ph.D. candidate in Sociology at the University of Alberta. Her research interests include cultural memory, material culture, and the built environment. Her dissertation research is on the dynamic social lives of a series of monuments in Ottawa, Ontario. Tonya is currently teaching in the Sociology department at King’s University College, the University of Western Ontario. She can be found at http://www.tonya-davidson.ca.
Veronica della Dora is Lecturer in Geographies of Knowledge at the School of Geographical Sciences, University of Bristol. She is the author of Imagining Mount Athos: Visions of a Holy Place from Homer to World War II (University of Virginia Press, 2011) and co-editor with Denis Cosgrove of High Places: Cultural Geographies of Mountains, Ice, and Science (IB Tauris, 2008). Her research interests and publications span cultural and historical geography, history of cartography, Byzantine and post-Byzantine studies, and science studies.
Goze Dogu is a Ph.D. candidate in Sociology at the University of Alberta. Her research interests are diverse and include petro-capitalism and “oil culture,” political economy of immigration and racialization, politics/policies of food, and critical analysis of public policy. Her dissertation research is on the problematization of natural resources in Alberta’s oil and gas royalty and tax framework, and attempts to theorize the discursive knowledges and technologies around nature and valuation of natural resources. She can be reached at email@example.com.
Sara Dorow is Associate Professor of Sociology at the University of Alberta. She heads a SSHRC-funded research project on the challenges and possibilities for “community” in Fort McMurray, Alberta, at the heart of the largest oil industrial development in the world. She is also the author of Transnational Adoption: A Cultural Economy of Race, Gender, and Kinship (New York University Press, 2006). Dr. Dorow may be reached at firstname.lastname@example.org.
Petra Hroch is a Ph.D. student in Sociology (Theory and Culture) at the University of Alberta. Her doctoral work is supported by a SSHRC Joseph- Armand Bombardier Canada Graduate Scholarship, Izaak Walton Killam Memorial Scholarship, and Ralph Steinhauer Award of Distinction. Petra’s research interests include art, design and aesthetic theory, environmental ethics, and social and political theory. Her work has been featured in Walter Benjamin and the Aesthetics of Change (Palgrave Macmillan,2010).
Allison Hui is a Ph.D. student and Commonwealth Scholar in the Department of Sociology at Lancaster University, UK. Her work examines how what people do and where they do it are intertwined, bringing together theories of mobilities and of practices in an empirical study of leisure pursuits. She is also involved in the ESRC-sponsored Social Change, Climate Change working parties, and is a convenor for the British Sociological Association’s Postgraduate Forum. She can be reached at email@example.com.
Mark Jackson is a Lecturer in Postcolonial Geographies at the University of Bristol. His research interests and publications lie at the intersections between philosophy and social theory, post-colonialism, urban studies, social history, political ecology, and visual studies.
Olga Pak is a Ph.D. candidate in the Department of Sociology at the University of Alberta. Her research interests pertain to social imaginary, nostalgia, urban ethics and aesthetics, social history and cultural studies of Soviet and post-Soviet Russia. Olga’s dissertation project explores post-Soviet urban transformations in Russia. She can be contacted at firstname.lastname@example.org.
Ondine Park is a Ph.D. candidate in Sociology at the University of Alberta and a researcher at the City-Region Studies Centre. She is interested in contemporary exemplars of the “normal”: social, cultural, and spatial practices and forms that are ubiquitous, taken for granted, and normative. Her research interrogates the ways these are represented and reproduced, and how they are imagined or wished to be normal. Her current work focuses on desire, the idea, and promise of the suburban good life. http://www.ualberta.ca/~opark.
Rob Shields is Henry Marshall Tory Chair and Professor in the Departments of Sociology and Art and Design, University of Alberta. He is founder and co-editor of the journal Space and Culture, and founder of Curb magazine. His most recent works include What Is a City? Rethinking the Urban after Katrina (ed., with Phil Steinberg, University of Georgia Press, 2008) and Building Tomorrow: Innovation in Construction (ed. with André Manseau, Ashgate, 2005). He directs the City-Region Studies Centre.
Matthew Tiessen completed his doctorate in Critical Theory and Visual Culture at the University of Alberta with the support of a SSHRC Doctoral Fellowship and Killam Memorial Scholarship. Matthew’s research engages theories of digital and visual culture, mobility, virtuality, and ethics. His writing has been featured in CTheory; Rhizomes: Cultural Studies in Emerging Knowledge; Space and Culture; Pli: The Warwick Journal of Philosophy; and What Is a City? Rethinking the Urban after Hurricane Katrina (University of Georgia Press, 2008). Matthew teaches in the Communication Studies department at Wilfrid Laurier University.
Mickey Vallee received his Ph.D. from the University of Alberta, where he now teaches courses in sociology and music. He is currently co-editing a hypertext glossary of terms by Deleuze and Guattari with Rob Shields (http://www.deleuzeguattari.com) while writing a book on Lacan and the virtual structures of recorded music. He is delighted to see this anthology released just after the birth of his second daughter, Anouk.
Anne Winkler is a Ph.D. candidate in Sociology at the University of Alberta. She is interested in commemorative practices in the post-socialist context. In her dissertation project, Anne examines the representation of East Germany in museums. She may be reached at email@example.com.