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Table of Contents for
Representing Sound: Notes on the Ontology of Recorded Musical Communications by Jay Hodgson with Steve MacLeod

Introduction

1. Sculptures

2. Acoustic Iconography

3. Psychoacoustic Profiles

4. Psychoacoustic Encoding

5. Transduction

6. The Cybernetic

7. Conceptual Infrastructure

8. Interpellation: Conjuring Tricks

9. Tracking, i) Performance as Programming

10. Tracking, ii) Programming as Performance

11. Tracking, iii) Lateral Dynamics Processing

12. A Brief Conclusion

Works Cited

Acknowledgements