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Table of Contents for
Ecologies of the Moving Image: Cinema, Affect, Nature, by Adrian J. Ivakhiv

Preface

Acknowledgements

1. Introduction: Journeys into the Zone of Cinema
Two perspectives on the visual | The cinema as cosmomorphic, or world making: geomorphic, biomorphic, and anthropomorphic | Stalker as paradigm: Tracking the cinema, stalking the psyche | The argument | Overview of the chapters

2. Ecology, Morphology, Semiosis: A Process-Relational Account of Cinema
The three ecologies of images: material, social, perceptual | Process-relational ontology | Perceptual ecologies: How we get drawn into the cinematic world | Peircean semiosis: firstness, secondness, and thirdness | Spectacle, narrativity, and signness | Scenes, episodes, and cinematic impact

3. Territory: The Geomorphology of the Visible
Geomorphism in life and in image | An initial typology | Picturing "nature": Landscape aesthetics as socio-natural production | Anchoring the filmic world | Staking claims and territorializing identities: Making the West | Dovzhenko’s cinematic pantheism | Nature, holism, and the eco-administrative state | Industry, existential landscapes, and the firstness of things | Post-westerns, pantheism, and the ecological sublime | Kinetic landscapes, the exhilaration of movement, and the differentiation of space | Cinematic tourism, object fetishism, and the global landscape | Enframing the world, or expanding perception? | "Burn but his books": Deconstructing the gaze from both ends

4. Encounter: First Contact, Utopia, and the Becoming of Another
The ethnographic paradigm | Nanook/Allakariallak and the two-way gaze | King Kong’s imperial gaze: From ethnographic to cinematic spectacle | Upriver journeys, hearts of darkness, and contact zones | Beyond first contact | Cinematic holism, auto-ethnography, and visual sovereignty | From the deconstruction of reality to its reflexive reconstruction | Green identities: images of choice, hope, struggle, and community

5. Anima Moralia: Journeys Across Frontiers
Pointing, seeing, gazing | Animating the image, imaging the animate | Writing, seeing, and faking nature | Making nature: inter-natural coproductions | Animation, plasmaticness, and Disney | Boundary traffic: seeing, being seen, and the horror of crossing over | Animal by analogy: penguins and family values | Individual crossings: Bittner’s birds, Treadwell’s bears | Sheer becomings: one or several types of packs | Boundary strategies: ethics of the contact zone

6. Terra and Trauma: The Geopolitics of the Real
Recapitulation of the argument | Trauma and the imagination of disaster | Strange weather, network narratives, and the traumatic event | The sublime and the Real | The eco-imaginary in post-9/11 culture | Political ecologies in three dimensions and more | Avatar’s eco-apocalyptic Zone | Toward a Peircian synthesis: aesthetics, ethics, and ecologics of the image-event | Ecology, time, and the image | Ecophilosophical cinema: moving images on a moving planet

Afterword: Digital Futures in a Biosemiotic World

Appendix: Doing Process-Relational Media Analysis

Notes

Index