Asian Canadian Writing Beyond Autoethnography
Paper 342 pp.
Online discount: 25%
Honourable Mention for the Association for Asian American Studies 2008 Literary Studies Book Award
Asian Canadian Writing Beyond Autoethnography explores some of the latest developments in the literary and cultural practices of Canadians of Asian heritage. While earlier work by ethnic, multicultural, or minority writers in Canada was often concerned with immigration, the moment of arrival, issues of assimilation, and conflicts between generations, literary and cultural production in the new millennium no longer focuses solely on the conflict between the Old World and the New or the clashes between culture of origin and adopted culture. No longer are minority authors identifying simply with their ethnic or racial cultural background in opposition to dominant culture.
The essays in this collection explore ways in which Asian Canadian authors (such as Larissa Lai, Shani Mootoo, Fred Wah, Hiromi Goto, Suniti Namjoshi, and Ying Chen) and artists (such as Ken Lum, Paul Wong, and Laiwan) have gone beyond what Françoise Lionnet calls autoethnography, or ethnographic autobiography. They demonstrate the ways representations of race and ethnicity, particularly in works by Asian Canadians in the last decade, have changedhave become more playful, untraditional, aesthetically and ideologically transgressive, and exciting.
Eleanor Ty is a professor and chair of the Department of English and Film Studies at Wilfrid Laurier University in Ontario. She is the author of The Politics of the Visible in Asian North American Narratives and co-editor with Donald Goellnicht of Asian North American Identities beyond the Hyphen.
Christl Verduyn is a professor of English and Canadian Studies at Mount Allison University, where she holds the Davidson Chair in Canadian Studies and is the director of the Centre for Canadian Studies. Most recent publications include Asian Canadian Writing Beyond Autoethnography, co-edited with Eleanor Ty (WLU Press, 2008), Archival Narratives for Canada: Re-Telling Stories in a Changing Landscape, co-edited with Kathleen Garay (2011), and Canadian Studies: Past, Present, Praxis, co-edited with Jane Koustas (2012).
“Beyond Autoethnography offers an impressive set of critical interventions that illustrate the range of scholarship in Asian Canadian literary studies and will be of great interest to scholars and students of contemporary Asian Canadian culture.”
— Christopher Lee, University of British Columbia, Pacific Affairs
“The essay collection is noteworthy in its comprehensive analysis of a diverse range of literary texts, and analysis that involves a critical examination of autoethnographic writing in its complicity with and departures from representations of otherness.”
— Ranbir K. Banwait, Canadian Literature
By the same editor
Critical Collaborations: Indigeneity, Diaspora, and Ecology in Canadian Literary Studies, Smaro Kamboureli and Christl Verduyn
The Memory Effect: The Remediation of Memory in Literature and Film, Russell J.A. Kilbourn and Eleanor Ty, editors
Marian Engel’s Notebooks: “Ah, mon cahier, écoute...”, Christl Verduyn
Must Write: Edna Staebler’s Diaries, Christl Verduyn and Edna Staebler
Public Poetics: Critical Issues in Canadian Poetry and Poetics, Bart Vautour, Erin Wunker, Travis V. Mason, and Christl Verduyn, editors