Your cart is empty.

Narcissistic Narrative

The Metafictional Paradox

By Linda Hutcheon
Subjects Literary Criticism
Hide Details
Paperback : 9781554585021, 176 pages, May 2013
Ebook (EPUB) : 9781554589104, 176 pages, May 2013

Table of contents

Table of Contents for
Narcissistic Narrative: The Metafictional Paradox, by Linda Hutcheon




1 Modes and Forms of Narrative Narcissism: Introduction of a Typology

2 Process and Product: The Implications of Metafiction for the Theory of the Novel as a Mimetic Genre

3 Thematizing Narrative Artifice: Parody, Allegory, and the Mise En Abyme

4 Freedom Through Artifice: The French Lieutenant's Woman

5 Actualizing Narrative Structures: Detective Plot, Fantasy, Games, and the Erotic

6 The Language of Fiction: Creating the Heterocosm of Fictive Referents

7 The Theme of Linguistic identity: La Maccina Modiale

8 Generative Word Play: The Outer Limits of the Novel Genre

9 Composite Identity: The Reader, the Writer, the Critic

Conclusion and Speculations

Index of Subjects and Names


Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Her analysis is further extended to discuss the implications of such a development for both the theory of the novel and reading theory.

Having placed this phenomenon in its historical context Linda Hutcheon uses the insights of various reader-response theories to explore the “paradox” created by metafiction: the reader is, at the same time, co-creator of the self-reflexive text and distanced from it because of its very self-reflexiveness. She illustrates her analysis through the works of novelists such as Fowles, Barth, Nabokov, Calvino, Borges, Carpentier, and Aquin. For the paperback edition of this important book a preface has been added which examines developments since first publication. Narcissistic Narrative was selected by Choice as one of the outstanding academic books for 1981–1982.


  • Selected by Choice as one of the outstanding academic books for 1981–1982.


Hutcheon's study, which is thoroughly well-informed. ..succeeds in showing the broad range of the metafictional phenomenon in our time by discussing numerous writers and numerous texts. ... [T]he strengths of Hutcheon's book are many. ..and I highly recommend this study for its intelligence, its informativeness, and its insights.

- Gerald Prince, French Forum

"In this volume Hutcheon accomplishes two important goals at once. She provides sensitive, insightful readings of a wide range of contemporary novels which are genuinely difficult to read, even to adepts. And at the same time she places these readings within the contexts of critical theory which seem to be required in order to do these works justice. Either of these tasks by itself would be formidable; here critical precept and textual analysis are woven together throughout the work. ... There is no mistaking the high degree of critical intelligence which is evident throughout this book. Present everywhere is esthetic sensibility joined to theoretical awareness. For anyone working on this body of literature, or on other works in a similar vein, this book provides an essential point of reference. "

- Irwin Gopnik, McGill University, , Recherches sémiotiques/Semiotic Inquiry, Vol. 2 no. 4