Table of Contents for Mary Wollstonecraft and Mary Shelley: Writing Lives, edited by Helen M. Buss, D.L. Macdonald, and Anne McWhir
Acknowledgements
Abbreviations
Introduction
The Politics of Autobiography in Mary Wollstonecraft and Mary Shelley | Gary Kelly
The Personal Pronoun as Political: Stylistics of Self-Reference in the Vindications | D.L. Macdonald
The Power of the Unnamed in You in Mary Wollstonecraft’s Letters Written during a Short Residence in Sweden, Norway, and Denmark | Syndy McMillen Conger
Reveries of Reality: Mary Wollstonecraft’s Poetics of Sensibility | Lawrence R. Kennard
“The History of My Own Heart”: Inscribing Self, Inscribing Desire in Wollstonecraft’s Letters from Norway | Eleanor Ty
(Un)Confinements: The Madness of Motherhood in Mary Wollstonecraft’s The Wrongs of Woman | S. Leigh Matthews
Mary Wollstonecraft and Harriet Jacobs: Self Possessions | Jeanne Perreault
Memoirs Discourse and William Goodwin’s Memoirs of the Author of A Vindication of the Rights of Woman | Helen M. Buss
A Mother’s Daughter: An Intersection of Mary Shelley’s Frankenstein and Mary Wollstonecraft’s A Vindication of the Rights of Woman | Charles E. Robinson
Mary Shelley: Writing/Other Women in Godwin’s Life | Judith Barbour
Further Thoughts on the Education of Daughters: Lodore as an Imagined Conversation with Mary Wollstonecraft | Lisa Vargo
Speaking the Unspeakable: Art Criticism as Life Writing in Mary Shelley’s Rambles in Germany and Italy | Jeanne Moskal
Biographical Imaginings and Mary Shelley’s (Extant and Missing) Correspondence | Betty T. Bennett
Reflections on Writing on Mary Shelley’s Life | Anne K. Mellor
Caves of Fancy | Rose Scollard
Works Cited
Index
Contributors
Judith Barbour is an honorary associate in the School of English at the University of Sydney. She is the author of articles on Mary Shelley and John William Polidori, and is editor of the University of Sydney electronic edition of “Mary Shelley’s Life of William Godwin,” from the Shelley-Godwin Manuscripts of the Abinger Collection deposited at the Bodleian Library, Oxford. The internet address for this edition at the Scholarly Electronic Text and Imaging Service (SETIS) of the University of Sydney’s Fisher Library is: http://setis.library.usyd.edu.au/arts/godwin
Betty T. Bennett teaches literature at the American University, Washington, DC. She is the author of Mary Diana Dods: A Gentleman and a Scholar (1991) and Mary Wollstonecraft Shelley: An Introduction (1998), the editor of The Letters of Mary Wollstonecraft Shelley (1980–88), and the co-editor (with Charles E. Robinson) of The Mary Shelley Reader (1990) and (with Stuart Curran) of Mary Shelley in Her Times (2000).
Helen M. Buss (aka Margaret Clarke) is a professor in the English Department at the University of Calgary. She is the author of novels, plays, and poetry, as well as books and articles on Canadian literature and life writing. In 1983, she won a best first novel prize in Manitoba for The Cutting Season, and in 1983 won the Gabrielle Roy Prize for her study of Canadian women’s autobiography, Mapping Our Selves (1993). Her current writing and research centre on the memoir form. She has recently published Memoirs from Away: A New Found Land Girlhood (1999), and has completed a book on women’s uses of the memoir form, with the working title Repossessing the World: Reading and Writing Contemporary Women’s Memoirs.
Syndy McMillen Conger teaches English at Western Illinois University. She is the author of Mary Wollstonecraft and the Language of Sensibility(1994) and co-editor of Iconoclastic Departures: Mary Shelley after Frankenstein (1997). Gary Kelly teaches English at the University of Alberta. He is the author of Revolutionary Feminism: The Mind and Career of Mary Wollstonecraft (1992) and Women, Writing, and Revolution, 1790– 1827 (1993), and the editor of Mary and The Wrongs of Woman, by Mary Wollstonecraft (1980).
Lawrence R. Kennard is a doctoral student in English at the University of Calgary. He has published articles on Coleridge. D. L. Macdonald teaches English at the University of Calgary. He is the author of Poor Polidori: A Critical Biography of the Author of “The Vampyre” (1991) and Monk Lewis: A Critical Biography (2000), and the co-editor of Frankenstein, by Mary Shelley (1994; 2nd ed. 1999), and The Vindications, by Mary Wollstonecraft (1997).
S. Leigh Matthews is a doctoral student in English at the University of Calgary, where she specializes in nineteenth- and twentieth-century Canadian literature and theories of life writing. She is currently researching and writing her dissertation, “Self(s) Surveyed: Intersections of Identity in Canadian Women’s Prairie Memoirs,” and has forthcoming a number of articles on other Canadian lifewriting texts.
Anne McWhir teaches English at the University of Calgary. She is the author of articles on Burke, Wordsworth, Mary Shelley, and Percy Shelley, and the editor of The Last Man, by Mary Shelley (1996).
Anne K. Mellor teaches English at the University of California, Los Angeles. She is the author of Blake’s Human Form Divine (1974), English Romantic Irony (1980), Mary Shelley: Her Life, Her Fiction, Her Monsters (1988), Romanticism and Gender (1993), and Mothers of the Nation: Women’s Political Writing in England, 1780– 1830 (2000), editor of Romanticism and Feminism(1988), and coeditor of The Other Mary Shelley: Beyond Frankenstein (1993) and British Literature, 1780–1830(1996).
Jeanne Moskal is a professor of English at the University of North Carolina at Chapel Hill. She is the author of Blake, Ethics, and Forgiveness (1994) and of articles on the travel writings of Ann Radcliffe, Mariana Starke, Lady Morgan, Mary Shelley, and Mary Wollstonecraft. She is editor of Travel Writing, by Mary Shelley (1996; volume 8 in The Novels and Selected Works of Mary Shelley), and of Letters from Norway, by Mary Wollstonecraft (forthcoming), and co-editor of Reading and Teaching Eighteenth- and Nineteenth- Century British Women Writers (forthcoming).
Jeanne Perreault teaches English at the University of Calgary. She is the author of Writing Selves: Contemporary Feminist Autography (1995).
Charles E. Robinson teaches English at the University of Delaware. He is the author of Shelley and Byron: The Snake and Eagle Wreathed in Fight (1976), editor of Mary Shelley’s Tales and Stories (1976), of her Mythological Dramas: Proserpine and Midas (1992), and of The Frankenstein Notebooks: A Facsimile of Mary Shelley’s Manuscript Novel, 1816–1817 (1996), and co-editor (with Betty T. Bennett) of The Mary Shelley Reader (1990).
Rose Scollard is a Calgary playwright. She is the author of Bête Blanche/Tango Noir (1988), Uneasy Listening: Three Plays for Radio (1995), and Shea of the White Hands (1995), and co-author of Aphra (1997).
Eleanor Ty teaches English and women’s studies at Wilfrid Laurier University, in Waterloo, Ontario. She is the author of Unsex’d Revolutionaries: Five Women Novelists of the 1790s (1993) and Empowering the Feminine: The Narratives of Mary Robinson, Jane West, and Amelia Opie, 1796–1812 (1998), and editor of The Victim of Prejudice (1994) and of Memoirs of Emma Courtney (1996) by Mary Hays.
Lisa Vargo teaches English at the University of Saskatchewan. She is the author of articles on Anna Barbauld, Anna Jameson, and Mary Shelley, and is editor of Lodore, by Mary Shelley (1997).