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Plans Deranged by Time

The Poetry of George Fetherling

By George Fetherling
Edited by A.F. Moritz
Subjects Poetry, Literary Criticism, Canadian Literature
Series Laurier Poetry Hide Details
Paperback : 9781554586318, 82 pages, January 2012
Ebook (EPUB) : 9781554586493, 82 pages, May 2012

Table of contents

Table of Contents for Plans Deranged by Time: The Poetry of George Fetherling, selected with an introduction by A.F. Moritz
Foreword, Neil Besner
Biographical Note
Introduction, A.F. Moritz
Alleycat / 1
Harry's New York Bar in Paris / 2
Border Catechism (excerpts) / 3
Subroutine / 4
The Dark Grid / 5
The Six O'Clock News from Buffalo / 6
Moving towards the Vertical Horizon (excerpts) / 8
Memorandum for the File / 12
Pre Texts / 13
Radio / 14
Ancient Beliefs / 16
Telegraphic Instructions / 18
Beginning with North / 19
The View Keeps Reminding Us of Flags / 20
With the Name Goes Great Responsibility / 21
Opportunities for Redemption / 23
Chinese Anthology (excerpts) / 24
Mother Goddess / 26
Art Criticism / 27
Juice / 29
Ice Ages / 30
Old Chinese Poem / 31
Bush Architecture / 32
0930 / 33
Letter Two (excerpt) / 34
Singer, An Elegy (excerpts) / 35
First Signs of Wartime Spring / 50
Navigating Chinatown / 52
Confusion of Themes Not of Motives / 53
Mappamundi / 54
Postdated / 56
Afterword, George Fetherling


The Toronto Star called him a legendary figure in Canadian writing, and indeed George Fetherling has been prolific in many genres: poetry, history, travel narrative, memoir, and cultural studies. Plans Deranged by Time is a representative selection from many of the twelve poetry collections he has published since the late 1960s. Like his novels and other fiction, many of these poems are anchored in a sense of place—often a very urban one. Filled with aphorism and sharp observation, the poems are spare of line and metaphor; they display a kind of elegant realism: loading docks, back doors of restaurants, doughnut shops with karate schools upstairs.
In the introduction, A.F. Moritz places Fetherling in the modern picaresque tradition in the aftermath of Eliot and Pound, highlighting his characteristic speaker as an itinerant cosmopolitan outsider, a kind of flâneur, impoverished and keenly observant, writing from a position of “communion-in-isolation.” He contrasts Fetherling’s contemplative intellectualism with that of the public intellectual and highlights this outsider’s fellow-feeling, making the poems indirectly political.
Fetherling’s afterword is an anecdote-anchored exploration of what the poet sees as his two central approaches—“the desire to create new codes of hearing” and “writing-to-heal”—and how they are reflected in the collection.


[Fetherling's] images are not simply precise and evocative; they are also witty.... Many of his poems tend toward aperçu or epigram. The reader is constantly surprised by an unexpected analogy. Moritz in his erudite and densely allusive introduction...bring[s] out those elements of Fetherling's critical self-examination that underlie his empathy for members of the similarly disillusioned wider community, and makes a good case for recommending Fetherling's poetry to the expanded audience it deserves.

- Event (Douglas College), 42.1, 2013 March