An authoritative work interspersed with nearly one hundred of John Ruskin’s Swiss drawings recounts his lifelong interest in Switzerland. Hayman provides a chronological account of Ruskin’s visits ...
Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work — some seventy hours — is one of the largest of any filmmaker in the history of cinema, and ...
The text discusses the legacy of the Cold War in Canada by looking at Prime Minister Diefenbaker’s “Diefenbunkers”—eleven nuclear fallout shelters constructed in secret in the late 1950s to protect ...
Woldemar Neufeld (1909–2002) emigrated with his Mennonite parents from Ukraine to Canada in 1924. By the late 1920s, he had begun his lifelong project as documentarist, responding especially to the ...
Creating Together explores an emerging approach to research that combines arts practices and scholarship in participatory, community-based, and collaborative contexts in Canada across multiple disciplines. ...
Writing, for Michael Snow, is as much a form of “art-making” as the broad range of visual art activities for which he is renowned, including the “Walking Woman” series and the film Wavelength ...
What makes Waterloo Region unique? What defines a sense of place?
Seventy-five carefully chosen photographs depict the elements that collectively make Waterloo Region's urban landscape different from ...
Elder examines how artists such as Brakhage, Artaud, Schneemann, Cohen and others have tried to recognize and to convey primordial forms of experiences. He argues that the attempt to convey these primordial ...
Cubism and futurism were related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perception—these issues passed back and forth between the two. ...
This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth ...